While I appreciate you laying it out so plainly, I disagree. A novel is a bunch of words and I don't care if they were written by one person, five, an AI, or infinite monkeys on typewriters. What's valuable in a novel (or a poem) is in the words.
I can maybe understand finding value in a machine-written novel if others also read it and enjoyed it, but having an LLM spit out a novel and reading it in isolation, that would be a complete waste of time to me.
or even a bunch of characters, bunch of pixels and so on.
To me this is the wrong level of abstraction that is not sufficient to encode the meaning of literature.
In the same way that I don't need the lumber in my house "hand sawed" for it to achieve my goal of creating a habitable space.
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But more broadly, I do think there's space to at least question the use and role of AI.
Because while content can (and should) be addressed directly, there's a valid meta-conversation about the intent of producing content, and the results producing that content might have.
What goal does producing this content achieve?
What is the role of this content in society?
Is this content, on this scale, an appropriate thing to be making?
These are MUCH harder questions - often because we've shifted from concrete (content) to abstract (value judgements).
To go back to my housing analogy: We're no longer evaluating the benefits of hand-sawed vs power sawed timber. We're discussing whether our housing is built in the right spots, if we're building enough of it, and are we allocating it in the right ways.
> What's valuable in a novel (or a poem) is in the words.
Even if the words are a lie? Misleading? False?
I'm not even talking about LLMs. What if it's propaganda designed to influence your thinking, possibly against your own interests; are those still valuable words that you'd cherish reading?
My point is that the source matters, intent matters, and authenticity matters. To me, anyway.
Changes to that corpus that reflect the real world are going to come from incorporating future works created by humans. (LLM generated training data can reinforce fidelity to the current corpus but don't alter it.) The future still belongs to human creativity.
You would care about that story, until you found out that this story is a lie, an old April’s fools joke that escaped confinement. The words are the same, but your reactions to the exact words have changed with new information about the source.
When we read personal stories it affects our emotions as we empathize with the author, or otherwise share the feelings that the author is trying to convey. When we find out there is no such author, our empathy and our notion of shared feelings vanishes with the new information even though the words stay the same.
I don’t want a mathematical approximation of writing informed by feelings, knowledge, experiences, etc. anymore than I would want to see an “AI band” perform just because the music is supposedly great. There’s no personality, there’s nothing personal period.