Ah, I hadn’t thought about the generational aspect that’s interesting. The aesthetic totally makes sense to me when the music is intended for it / designed with it in mind, which I guess quite a lot of music is.

I particularly dislike when old intentionally-dynamic music is remastered to be “modernized” into a brick, which is sort of the opposite direction.

> Cinema mixes

I didn’t know about these, that’s neat! Makes sense that the levels can’t really be the same in my living room as a theater. Is it really a whole separate mix or just some compression in mastering?

I really hope that’s not another masterings collection rabbit hole I’m about to fall down haha. I’ll look out for some Dolby certified venues in my area too