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So what you're saying is it will never be about the art itself, it's entirely about selling you on its origin story? Yeah, that sounds about right. So once it can create human-level art, it just needs to spew human-level BS script along with it for the artist to act out, got it.

Reverse centaur indeed.

You misunderstand art. If art were solely about the outcome, we’d all be staring at photographs instead, as no art will ever have as high fidelity.

Art is about the journey of the artist; the meaning with which that art is impregnated is the point. What you cynically refer to as “human-level BS,” others refer to as “the human condition” because we can relate to other humans, and empathy is a thing.

It’s okay not to like art. But pretending art is just “the painting at the end” is nonsense.

I'm doing no such thing. By invalidating the Monet piece if it is described as AI-generated, art becomes entirely about the creation story. So that moves the bar to telling a convincing story. And LLMs can absolutely do that at the level of those museum placards next to each painting. So if you add an actor to pose as the artist, the art is the performance now.

What makes you think I don't like art? Spent 3 hours at an art museum event last weekend staring in details at paintings whilst rich drunk fools kept taking selfies next to them.

But I no longer believe people care about empathy. The US wouldn't have elected a grifting performance artist president twice if they valued empathy. We're much more hindbrain-driven than I suspect you think we are.

> I'm doing no such thing. By invalidating the Monet piece if it is described as AI-generated, art becomes entirely about the creation story. So that moves the bar to telling a convincing story.

No. Art isn’t about the “origin story,” but about what it makes you feel. In part, what it makes you feel is due to the fact that it was made by a human, with human emotion and intent, to communicate an idea to the world. AI has no such emotional backing.

> And LLMs can absolutely do that at the level of those museum placards next to each painting. So if you add an actor to pose as the artist, the art is the performance now.

Museum placards are not what make art interesting.

> But I no longer believe people care about empathy. The US wouldn't have elected a grifting performance artist president twice if they valued empathy.

Irrelevant; two things can be true at once. Also, not everyone has empathy, and not everyone likes art.

That’s why most people don’t have art on their walls, but random prints from IKEA.

> We're much more hindbrain-driven than I suspect you think we are.

Many people are! But “people who like art” is a relatively small subset of people, and I maintain that nearly everyone who likes art likes it because it makes them feel something.

Otherwise, there would be no difference between a Picasso and a print from EBay.

People who like art don’t buy NFTs. They buy art made by humans.

I am reminded of The Doctor Who episode where the original Mona Lisa was destroyed and only one of many copies clearly marked "THIS IS A FAKE" underneath the pigments survived.

https://youtu.be/9iCBN5V2x18?si=TUF5kFbQGeQ927io&t=5798

But also, crypto and anything crypto-adjacent is planet-killing garbage in my book.

Wow, it's not "human-level BS" what the heck.

Only someone with little appreciation of music will describe the difference between an actual performance and an AI generated one as "human-level BS". It makes a large difference in my enjoyment of the music.

Have you listened to a MIDI file before? And have you listened to (or attended, preferably in person) a piano concert before? You can't compare them, AI changes nothing at all about this.

And you're telling me that as long as you believe a human struggled and went through a process, the nature of the outcome is irrelevant. Hence a Monet piece is instantly slop if one believes an AI created it. That rings true. But it also explains the perception that Piss Christ was art instead of rubbish.

We just disagree as to whether an AI can write a script for a human to portray a struggle that never happened and that a human actor can make you believe it. This almost demands a performance art piece to do exactly that. The art of course being in the performance by a human until it can be replaced by an indistinguishable robot. And then the artist becomes the robot's creator I guess. Why it's creators all the down, no?

I guess we also disagree about all these lines in the sand you keep drawing when it's seemingly entirely subjective experience of a world that may or may not exist according to Plato's Cave.

And sure, I love concerts, I love live performances, but I also love to listen to a much wider range of music when I'm not in a theatre. I can understand that you might feel differently, but we are all entitled to our own opinions and tastes. And what we do in our own lives if it isn't hurting others anymore than anyone else in the west is doing with their egregious carbon footprints is none of your business.

Not sure what you are claiming here:

That authentically human communication and experiences can be artificially generated? But that is a contradiction in terms.

The outcome is not independent of the process. It will always show through.

And I don't draw such lines in the sand. I am saying an experience that would be perceived as authentic human communication can be artificially generated until proven otherwise. Good luck with that.

I really wonder if humanity will be able to process alien life when it finally encounters it. Because it's likely to have a very different origin story, nature, and outlook.