David Lynch
David Lynch
Actually, his influence on how surrealist fiction is presented throughout all media cannot be understated. I was surprised to read even the original Zelda has him as an influence. Majora's Mask does feel particularly Lynchian.
It would not surprise me if the Souls games and at least the later Berserks (late 90s/early 2000s forward) were either directly or 1-step indirectly influenced by Lynch.
https://www.nintendolife.com/news/2019/12/feature_how_david_...
The original Zelda was released way before Lynch's Twin Peaks, which was a hit in Japan, was even in production. The look of the protagonist of Zelda was inspired by Disney's Peter Pan. The pig villain was inspired by a pig man in Journey to the West.
https://www.reddit.com/r/bloodborne/comments/xgu21c/eraserhe...
After that Mullholland Drive is absolutely brilliant and has that unforgettable masterpiece diner scene: https://youtu.be/UozhOo0Dt4o?si=GedzAdMh0KIXoHz4
If you didn't know it was by Lynch you would never suspect it.
I wouldn't call it his best work, but it is Lynch at his most singular and uncompromising.
I had to watch Mulholland Drive at least 5 times to get a sense of what it's even about, and I think I must have been the audience for which he made that film, if it wasn't indeed just art to make himself happy (which is the BEST kind).
Anyway, it kind of endears another person to you when you connect with their work. So this one hit kind of hard.
I lost a fellow weirdo, and he'll be missed!
And when they dance together at the end with "Mysteries of Love" playing - wow.
For Eraserhead, I understand the metaphor of how parenting can be larger-than-life and terrifying and I see how Eraserhead was trying to embody that but I very much didn't appreciate the highly pessimistic ending. It's an early movie that would have benefited immensely from an alternate ending on its DVD.
Lynch: "Believe it or not, Eraserhead is my most spiritual film."
Lean: "Elaborate on that?"
Lynch: "No, I wont. No one sees it."
It isn't the elusive puzzle that many cinephiles value in his work, but it is clearly a Lynch film, even if it's not a stereotypical one.
There is nothing worse than getting excited to see a famous director's debut film, thinking you're going to have a good time, and then getting Eraserhead.
And his style of surrealism has been so influential that it has its own term: Lynchian!
When people say "surreal" they mean "real", it's just most of your life is not very real, just repetition and routine. - Norm Macdonald(Sorry — it appears to be 360p, not very hi-res. Other higher res versions can be found but with subtitles or dubbed in... maybe Farsi?)
https://youtu.be/F4wh_mc8hRE?si=SJwtz31ZEWuW9rk7
(Has swearing off that matters for your use!) Rest in peace.
> His reviews aren't any less interesting even when you disagree with him.
100%
Blue Velvet challenges you as a viewer to look at the abuse Dorothy suffers and to be a witness -- and that's hard to do as a viewer because it is ugly. Ebert did what a lot of people did and attempted to defend Isabella Rossellini, who had signed on to the movie knowing full well what would be required.
Lynch made two other movies in that same "the audience needs to bear witness and empathize" theme (Fire Walk With Me, Lost Highway) before Ebert caught on with Mulholland Dr.
David Lynch’s work was never symbolic. You only ever got what was right in front of you.
The moment you start seeing symbols in his work, you know you’re viewing it wrong.
Edit: Lynch’s YT channel is filled with weather reports and random numbers. How much more anti-symbolic can you get?