It makes zero difference to the movie watching experience if the script line came from the script or the other way around. While you’re watching the movie, the effect is exactly the same. So even if you took a line of dialog to make your title, it becomes a title drop nonetheless because the audience doesn’t know (nor should they care) which came first.
Certainly not true in the case of a work adapted from another source like a novel. The words "The Fellowship of the Ring" are never uttered in The Fellowship of the Ring, and Peter Jackson's ham-fisted insert there was obvious even to people who hadn't read it, but especially to those of us who have.
And, by that token, if the dialogue suddenly seems awkward and stunted for no other reason than to insert the title, most people would probably conclude that the title came first.
I disagree; if it's a quote that serves the narrative and isn't jammed in as a reference it doesn't have the same effect as the meta examples. Less of a fourth wall break.
¹ I hope it’s obvious I’m excluding cases where someone deliberately seeks behind-the-scenes information. We’re talking about having only the result of the work as context.
> Unsurprisingly, movies named after one of their characters have an average of 24.7 title drops, more than twice as much as the usual 10.3.
And this thread started exactly with the point of what the article considers title drops.
The article also highlights the interesting case of “movies named after a character with single title drops”. I’m willing to bet that in those movies, if the name is proffered late enough in the runtime, it may feel like a title drop because the the audience suddenly becomes aware the name had never been said before. When the name is said all the time or once but too early (so you’ll be primed to expect it more often) then the effect is bound to be lessened.